|
Asian Ethnology [formerly Asian Folklore Studies]
Number 70, Volume 2, 2011
A Brief History of Indian Religious Ritual and
Resource Consumption: Was there an Environmental
Ethic? [163–179]
Smith, Frederick M.
Civil Ritual, NGOs, and Rural Mobilization in
Medinipur District, West Bengal [181-195]
Korom, Frank J.
Power Relations and Cultural Synthesis at an Oral
Performance of the “Bhāgavatapurāṇa” in a Garhwal
Community [197-221]
Taylor, McComas
A Psychoanalytic Reading of “Mālañcamālā”, “Rūpbān”,
“Nūr Bānu”, and “Madanamañjarī”: Popular Imaginings
of the Wife-Mother by the Bengali People [223-253]
Ahmed, Syed Jamil
Review of: Avron Boretz, “Gods, Ghosts, and
Gangsters: Ritual Violence, Martial Arts, and
Masculinity on the Margins of Chinese Society”
[255-257]
Menheere, Yves
Review of: Timo Kaartinen, “Songs of Travel, Stories
of Place: Poetics of Absence in an Eastern
Indonesian Society” [257-259]
Clark, Marshall
Review of: Firoz Mahmud, ed., and Sharani Zaman,
ass. ed., “Folklore in Context: Essays in Honor of
Shamsuzzaman Khan” [259-262]
Brandt, Carmen
Review of: “Laetitia Merli, De l’ombre à la lumière,
de l’individu à la nation: Ethnographie du renouveau
chamanique en Mongolie postcommuniste” [262-270]
Munsi, Roger Vanzila
Asian Ethnology [formerly Asian Folklore Studies]
Number 70, Volume 1, 2011
Dirt, Noise, and Naughtiness: Cinema and the Working
Class During Korea’s Silent Film Era [1-32]
Maliangkay, Roald
The Baltistan Movement and the Power of Pop
“Ghazals” [33-57]
Magnusson, Jan
“Hanayo no hime,” or “Blossom Princess”: A
Late-Medieval Japanese Stepdaughter Story and
Provincial Customs [59-80]
Reider, Noriko T.
Translation: “Hanayo no hime,” or “Blossom Princess”
[online only; 1-27]
Reider, Noriko T.
Imitating Enemies or Friends: Comparative Notes on
Christianity in the Indigenous Russian Arctic during
the Early Soviet Period [81-104]
Leete, A., and Vallikivi, Laur
Field Note: The Deity and the Mountain: Ritual
Practice and Environment in Japan’s Hayachine Take
“Kagura” [105-118]
Nagasawa, Sōhei
Review Essay: Transnational Broken Hearts: An
Overview of the Study of Chinese Popular Music
[119-130]
Groenewegen, Jeroen
Review of: Sadhana Naithani, “The Story-Time of the
British Empire: Colonial and Postcolonial
Folkloristics” [131-133]
Korom, Frank J.
Review of: Laurel Kendall, ed., “Consuming Korean
Tradition in Early and Late Modernity:
Commodification, Tourism, and Performance” [133-136]
Epstein, Stephen
Review of: Vibeke Børdahl and Margaret B. Wan, eds.,
“The Interplay of the Oral and the Written in
Chinese Popular Literature” [136-138]
Bender, Mark
Review of: Wilt L. Idema, “Judge Bao and the Rule of
Law: Eight Ballad Stories from the Period 1250-1450”
[138-141]
McLaren, Anne E.
Review of: Hazel J. Wrigglesworth et al., “Narrative
Episodes from the Tulalang Epic” [142-144]
Coben, Herminia Menez
Review of: Guillaume Rozenberg, trans. Jessica
Hackett, “Renunciation and Power: The Quest for
Sainthood in Contemporary Burma” [144-146]
Kawanami Hiroko
Review of: James C. Scott, “The Art of Not Being
Governed: An Anarchist History of Upland Southeast
Asia” [147-149]
Bain, Cristina
Review of: Michael Hitchcock, Victor T. King, and
Michael Parnwell, eds., “Heritage Tourism in
Southeast Asia” [149-151]
Pretes, Michael
Review of: Håkan Lundström, “I will Send my Song:
Kammu Vocal Genres in the Singing of Kam Raw”; and
Håkan Lundström and Damrong Tayanin, “Kammu Songs:
The Songs of Kam Raw” [151-154]
Evrard, Olivier
Review of: Jayant Bhalchandra Babat and Ian Mabbett,
eds., “The Iconic Female: Goddesses of India, Nepal
and Tibet” [155-157]
Smith, David
Review of: Barbara A. Brower and Barbara Rose
Johnston, eds., “Disappearing Peoples? Indigenous
Groups and Ethnic Minorities in South and Central
Asia” [157-159]
Remtilla, Aliaa |
